![]() Manage the delivery of the final print files to printer Negotiate terms of printing agreement with selected printer Every milestone can be tied to a date, a payment or both.Ĭreate the criteria for printer selectionĭevelop list of potential printers based on printer selection criteriaĮvaluate all RFP and assist in the selection of a printer The person who takes on the printing role might have the following milestones in their contract. For example, let’s suppose you want your book to be available as a printed single issue for comic book shops. You can create specific milestones for business work for hire agreements. For in creative work for hire agreements, the page serves as the milestone. Business and creative work for hire contracts can be similar if you replace the concept of a page rate with a unique milestone for each role.Ī milestone is a stage of development in a project that can be used for the measurement of work performance. In addition, each team member has to deliver something different, so you can’t use a single standard. Business work for hire agreements differ from creative work for hire agreements in comics because the base line measurement of a page isn’t helpful as a calculation. What Forms of Consideration Are Used in Business Work for Hire Agreements?īusiness professionals are just as important as creative professionals in publishing a successful comic (See You Need Two Teams to Publish an Independent Comic). This unofficial snapshot of industry pages rates is based on information contained on the 2016 survey website Fair Page Rates: While these factors are subjective and based on what you can afford to pay, there are some baselines you should keep in mind. Page rates in the comic book industry are not standardized, since there are several factors that will go into what a freelance creator will command including: How Do You Determine the Right Page Rates? If you have a large team or you offer a large number of copies to each person, you could be cutting too deep into your revenue. If you decide to use this form of consideration, just be sure to factor this into your print runs. You can also consider giving talent the opportunity to buy additional copies at a discount so they can either give them away as promotional items or sell them on their own. ![]() You can also allocate royalties into a royalty pool that pays all participants from a shared source of income, but those kinds of financial structures are utilized by larger companies and usually aren’t necessary for your initial project.Ĭopies of the final product: If you are going to distribute your project in digital or print format, one form of consideration is a specific number of free copies of the book. For example, you might offer your artist 25% of the net profits from any poster or t-shirt sales that use their artwork. A royalty is defined in comics as a payment based on the revenue generated from a distribution source. ![]() Revenue sharing: As an additional financial incentive, some work for hire deals include a royalty in addition to, or in place of, a page rate. on the cover, in the advertising materials and on social media) As long as you know what the price is, everything else is based on that.Ĭredit: This is similar to collaborators, where work for hire creators can get their name on the book, as is customary in the industry (i.e. It’s a straight forward transaction one page for one price. It doesn’t take into account incentives like royalty pools, recoupment, back end participation or anything else that could muddy the waters. So if you get $100 per page and the book is 32 pages, then you get $3,200. The basic idea is for every page you’re hired to work on, you get a set fee. Freelance comic book artists normally get paid a page rate. Sales people get paid based on commissions. Page rate: Different professions get paid according to different measurements. What Forms of Consideration Are Used in Work for Hire Agreements?īecause creators who sign a work for hire agreement do not own a portion of the underlying property, the four major types of consideration they can get are different from collaborators (See a Simple Guide to Getting Paid in Collaboration Contracts), based on the deal negotiated between the parties: While this can’t be used as legal advice, I hope you’ll find it helpful. ![]() It’s designed to walk you through the basics how to pay the business and creative people who help create your comic. This is a modified excerpt from a book I’m working on called Independent Comic Book Publishing. ![]()
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